KELLY FREAS
(American, 1922-2005)

“An illustrator, whether science fiction or otherwise, is essentially a storyteller who can’t type…Actually, being an artist is a bit like being a pioneer. Your real goal, like his, is freedom.”- Kelly Freas
Kelly Freas, a prolific artist for over thirty years and considered the “Dean of Science Fiction Artists,” has remained a fan favorite whose quality of work matched its quantity. Along the way, he created some of science fiction’s most iconic images and illustrated for noted authors such as Isaac Asimov, Arthur C. Clarke and Clifford Simak, among others.
Freas successfully submitted a painting to Weird Tales magazine in 1950. In 1952 decided to give up his lucrative career as an advertising artist to move to New York to work full-time on science fiction illustration. Freas created covers for countless science fiction magazines well into the 1980s. His works are known for their focus on people (and aliens!) – their character, emotions, and expressions – all presented with a touch of humor.
Freas also created works for Mad magazine from 1957 to 1962 and depicted the magazine’s “What, me worry?” mascot Alfred E. Neuman on many of its covers. He also designed the shoulder patch for Skylab I astronauts and six posters for NASA. The band Queen used his 1953 robot cover for Astounding Science Fiction magazine for their 1977 album cover for “News of the World,” in which band members were added to the image. A werewolf drawing by Freas is featured in a classroom scene in the 2004 movie Harry Potter and the Prisoner of Azkaban.
KELLY FREAS ILLUSTRATION

Symbols (1966)
Kelly Freas (1922-2005)
Ink on paper
12.5 x 10" (image)
Interior for Analog Science Fiction Sept. 1966 for Symbols by Christopher Anvil



Criminal Negligence (1955)
Kelly Freas (1922-2005)
Ink on paper, mounted
5 x 6.25"
Interior for Astounding Science Fiction June 1955 for Criminal Negligence by J. Francis Mc Comas




The Live Coward (1956)
Kelly Freas (1922-2005)
Ink on translucent paper
10 x 8.25"
Interior for Astounding Science Fiction June 2956 for The Live Coward by Poul Anderson




The Door Into Summer (1956)
Kelly Freas (1922-2005)
Oil on illustration board
10.25 x 7.5" (sight)
Illustration for "The Door Into Summar" by Robert Heinlein, published as cover of the December 1956 issue of The Magazine of Fantasy and Science Fiction (Vol. 11, No. 6) and again as the cover for Ciencia y Fantasía (No. 6) in 1957.


Torch (1957)
Kelly Freas (1922-2005)
Ink on textured paper
4.25 x 6.75" (sheet)
Interior for Astounding Science Fiction April 1957 for Torch by Christopher Anvil



The Telzey Toy (1973)
Kelly Freas (1922-2005)
Mixed media on board (prelim)
6.25 x 4.5" (sight)

