HANNES BOK
(American, 1914-1964)

“I like to make pictures… showing things not as they are… which we know all too well… but pictures of things as they might be.” - Hannes Bok
Hannes Bok, born Wayne Woodard, changed his name to a phonetic play of the name of the 18th century composer Johann S. Bach. A self-taught artist, Bok was greatly influenced by the symmetry and glazing techniques in the works of Maxfield Parrish. He was admired for his richly colored, dreamlike imagery and ornate compositions, producing hundreds of magazine illustrations and many memorable covers, especially for Weird Tales and other fantasy publications.
In addition to illustration, Bok wrote fiction and poetry, moving fluidly between visual and literary creativity. Though his career was relatively short, he earned lasting recognition in the science-fantasy field and shared one of the earliest Hugo Awards for Best Cover Artist in 1953. He is celebrated as one of the most distinctive visual voices in mid-century genre illustration.
HANNES BOK ILLUSTRATION

Masks (1950)
Hannes Bok (American, 1914-1964)
Pastel and oil on Whatman illustration board
22 x 15" (board)

The White Sands of Bridesrun Beach (1950)
Hannes Bok (American, 1914-1964)
Pen and ink on textured paper (DIPTYCH)
Fantastic Novels Magazine, Vol. 5, No.1 (June 1951)
for M. Ludington Cain's poem The White Sands of Bridesrun Beach (p. 70-71)


Terminal Quest (1951)
Hannes Bok (American, 1914-1964)
Pen and ink on textured paper
Super Science Stories (Popular Publications) Pulp Vol. 8, Issue 3 (August 1951)
for Poul Anderson's novelette Terminal Quest (p. 36)

SOLD

Mutation (1950)
Hannes Bok (American, 1914-1964)
Graphite, ink on textured paper
Super Science Stories (Popular Publications) Pulp Vol. 8, Issue 2 (August 1951)
for Lilith Lorraine's poem "Mutation" (p. 31)

SOLD

Red Coral (1951)
Hannes Bok (American, 1914-1964)
Graphite, ink on textured paper
Super Science Stories (Clark Publishing Co.) Pulp Vol. 3, No. 2 (May 1951)
for "Red Coral" by Ray Palmer (p. 131)


